“Van Morrison – Wild Night”

George Ivan “Van” Morrison, OBE (born 31 August 1945) is a Northern Irish singer-songwriter and musician. His live performances at their best are described as mystical and transcendental, while some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It’s Too Late to Stop Now, are critically acclaimed.

Known as “Van the Man” to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic “Gloria”. His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single “Brown Eyed Girl” in 1967.

After Berns’ death, Warner Bros. Records bought out his contract and allowed him three sessions to record Astral Weeks in 1968. Even though this album would gradually garner high praise, it was initially a poor seller; however, the next one, Moondance, established Morrison as a major artist, and throughout the 1970s he built on his reputation with a series of critically acclaimed albums and live performances.

Morrison continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and The Chieftains. In 2008 he performed Astral Weeks live for the first time since 1968.

Much of Morrison’s music is structured around the conventions of soul music and R&B, such as the popular singles “Brown Eyed Girl”, “Jackie Wilson Said (I’m in Heaven When You Smile)”, “Domino” and “Wild Night”. An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz, and stream-of-consciousness narrative, such as Astral Weeks and lesser-known works such as Veedon Fleece and Common One. The two strains together are sometimes referred to as “Celtic Soul”.

Morrison has received six Grammy Awards, the Brit Award for Outstanding Contribution to Music, been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.

The roots of Them, (1964–66) the band that first broke Morrison on the international scene, came in April 1964 when Morrison responded to an advert for musicians to play at a new R&B club at the Maritime Hotel – an old dance hall frequented by sailors.The new R&B club needed a band for its opening night; however, Morrison had left the Golden Eagles (the group with which he had been performing at the time), so he created a new band out of The Gamblers, an East Belfast group formed by Ronnie Millings, Billy Harrison, and Alan Henderson in 1962.

Eric Wrixon, still a schoolboy, was the piano player and keyboardist. Morrison played saxophone and harmonica and shared vocals with Billy Harrison. They followed Eric Wrixon’s suggestion for a new name, and The Gamblers morphed into Them, their name taken from the Fifties horror movie Them!

The band’s strong R&B performances at the Maritime attracted attention. Them performed without a routine and Morrison ad libbed, creating his songs live as he performed. While the band did covers, they also played some of Morrison’s early songs, such as “Could You Would You”, which he had written in Camden Town while touring with The Manhattan Showband. The debut of Morrison’s “Gloria” took place on stage here. Sometimes, depending on his mood, the song could last up to twenty minutes.

Morrison has stated that “Them lived and died on the stage at the Maritime Hotel,” believing that the band did not manage to capture the spontaneity and energy of their live performances on their records. The statement also reflected the instability of the Them line-up, with numerous members passing through the ranks after the definitive Maritime period. Morrison and Henderson would remain the only constants, and a less successful version of Them even soldiered on after Morrison’s departure.

Dick Rowe of Decca Records became aware of the band’s performances, and signed Them to a standard two-year contract. In that period, they released two albums and ten singles, with two more singles released after Morrison departed the band. They had three chart hits, “Baby, Please Don’t Go” (1964), “Here Comes the Night” (1965), and “Mystic Eyes” (1965), though it was the b-side of “Baby, Please Don’t Go”, the garage band classic, “Gloria”, that went on to become a rock standard covered by Patti Smith, The Doors, Shadows of Knight, Jimi Hendrix and many others.

Building on the success of their singles in the United States, and riding on the back of the British Invasion, Them undertook a two-month tour of America in May and June 1966 that included a residency from 30 May to 18 June at the Whisky a Go Go in Los Angeles. The Doors were the supporting act on the last week, and Morrison’s influence on The Doors singer, Jim Morrison, was noted by John Densmore in his book Riders On The Storm. CC

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