The Plea | Chantels

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The Plea is a song written in 1957 by Arlene Smith (Chantels member and lead vocalist) and Richard Barrett. Barrett was an American singer, musician, composer, songwriter, dancer, choreographer and producer
Manager and the founder of Princeton Records

Barrett grew out of his teenage years, performing in Philadelphia with the Royal Angels, he moved to New York and became lead singer with The Valentines. After their first single in 1957 the band made seven singles on George Goldner’s Rama label, where Barrettalso began to work as a talent-scout and manager, aided by gopher Artie Ripp.

He discovered, mentored and produced Little Anthony & The Imperials, Frankie Lymon & The Teenagers and Chantels- playing bass, piano and drums on the latter’s single ‘Maybe’, which he wrote and which reached #15 in the charts. When Arlene Smith left the group he performed as lead singer on two singles.

The original five members of the Chantels consisted of Arlene Smith (lead), Sonia Goring Wilson (born Millicent Goring), Renée Minus White , Jackie Landry who passed away December 23, 1997 and Lois Harris. They derived their name from that of Jane Frances de Chantal.

In 1957 the Chantels, then in high school, had been singing as a group for several years. Unlike some black groups whose influences were based in gospel, the quintet was influenced by classical music and Latin hymns. Lead singer Arlene Smith had received classical training and performed at Carnegie Hall at age 12.

She provided both lyrics and music. The girls were discovered by Richard Barrett, lead singer of The Valentines, and by the summer of 1957 they were signed to End Records, owned by George Goldner.

Their first single was “He’s Gone” (Pop #71) in August 1957, written by Arlene Smith. Released in December 1957, their second single, “Maybe,” was a hit (#15 Billboard Hot 100; #2 R & B chart) in January 1958.

It sold over a million copies and was awarded a gold disc. The following releases were less successful but End did release an album originally titled We Are the Chantels.

The original cover had a photo of the group. That album was soon withdrawn and repackaged with a picture of two white teenagers picking out a song; the title was shortened to The Chantels.

The group was dropped by End in 1959, and Arlene Smith embarked upon a solo career. Harris left to pursue a college education. That year Chantels singles led by Richard Barrett were released on the End subsidiary label, Gone.

In 1960 Annette Smith (no relation to Arlene) replaced Arlene Smith. As a quartet the group moved to Carlton Records, where they had their second huge hit with “Look in My Eyes” (#14 pop, #6 R&B). Other releases on Carlton didn’t do as well. One song was “Well I Told You,” a response to the Ray Charles song “Hit the Road, Jack.

A Carlton album was released in 1962 titled The Chantels on Tour but featured no live recordings and only seven tracks were recorded by the actual group.

The other three tracks were by Gus Backus, Chris Montez and Little Anthony & The Imperials. To cash in on “Look in My Eyes”, End threw together an album titled There’s Our Song Again, a compilation of previously recorded material.

The Chantels switched record labels a few more times. Although personnel changed throughout the 1960s, the constants in the group were Jackie Landry, Sonia Goring and Renee Minus. This line-up, plus Arlene Smith, recorded a one-off single for RCA in 1970.

Smith fronted a new group called Chantels in the 1970s which featured up-and-coming disco diva Carol Douglas and former Gems vocalist Louise Bethune (who would also become a 1970s performing member of The Crystals).

Smith continued to perform solo. In 1995 the remaining original Chantels reformed as well and hired Noemi (Ami) Ortiz as their lead singer. On the PBS special Doo Wop 50, Smith reunited with the surviving original members of The Chantels and dedicated “Maybe” to Jackie Landry, who died in 1997.

The Chantels were inducted into the Vocal Group Hall of Fame in 200

The Chantels’ songs were phenomenal and are still timeless.

Enjoy “the Plea”