At the age of 13 he won a scholarship to the University of Southern California for Musical composition, but dropped out after six months, bored with the conventional regimen. Four years later, a scholarship to Chouinard went the same way, and Nolan decided to send songs in to any artist he thought might be suitable. It brought him to the attention of both veteran songwriter Crewe and entrepreneur Wes Farrell, both of whom harnessed the then youngster’s talent.
As house producer at Farrell’s Chelsea label, Nolan wrote and/or produced a string of successful singles for the label, including Jim Gilstrap’s “Swing Your Daddy” and “Take Your Daddy for a Ride,” Dee Clark’s “Ride a Wild Horse,” and Linda Carr’s “High Wire.” With Crewe, meanwhile, he co-wrote some of the era’s biggest successes.
These included Disco Tex & The Sex-O-Lette’s “Get Dancing,” LaBelle’s “Lady Marmalade,” and Frankie Valli’s “My Eyes Adored You.” He wrote the song Flirtin’ for the 1971 (The Donny Osmond Album),” as well as the final Top 40 hit for Tavares in 1982, entitled “A Penny For Your Thoughts.”
Nolan also had ambition to perform – it was he who supplied the falsetto that dominated “Get Dancing” – and, after a short tenure with Firefly, he moved onto the studio group The Eleventh Hour. Produced by Crewe, the band scored two minor hits in the U.S. with “So Good” (1974) and “Hollywood Hot”, the following year; and the minor hit album, Hollywood Hot (1976).
In 1976, Nolan decided to record his own version of a song he had been commissioned to write by another. “I Like Dreamin'” was released by the Eleventh Hour’s label, 20th Century, and in early November it finally entered the U.S. chart, to begin a three-month crawl to its peak at number three.
Nolan followed it the following spring with the Top 20 hit “Love’s Grown Deep”, taken from his self-titled album, and was named Number One New Pop Singles Artist of 1977 by Billboard magazine. “My Eyes Get Blurry” followed, plus Nolan’s next album, 1978’s A Song Between Us.
Night Miracles followed two years later, bringing a new single, “Us and Love (We Go Together)”, to the mid-reaches of the chart in early 1980, but failing to give Nolan any further, major success. He continued to record, however, signing to MCA and releasing Head to Toe in 1982.
That album produced two singles, “Love Song” and “Soft Rock Hard Love,” but further commercial success as a recording artist eluded him. However, he continued to write songs that became hits for other artists, including “Shoot ‘Em Up Movies”, which became a top ten R&B hit for soul/boogie band The Deele in 1988.
In the 1990s he wrote “Masterpiece” which became a crossover hit for another soul band, Atlantic Starr.
Hi there. I am going around the neighborhood introducing myself. My name is Marc. My blog contains excerpts from my book The Driveway Rules. It contains memoirs about growing up with undiagnosed autism. I hope you stop by.
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Nice to meet you Marc. Your book sounds very interesting and the subject is a cause by which many families have been dealing with… obviously you are an overcomer! What a that is miracle indeed! Please do forward a link to your blog. I look forward to sharing.💕☕️☕️
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Thank you so much. I appreciate the support. Here is a link to my blog. I hope you enjoy. https://marcreovers.home.blog/
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Thank you Marc for sharing. I have heard about those born with autism, coming out of it so untarnished with a brilliance in insight for math and other areas were critical thinking comes to the fore. Many autistic children do not talk during the early part of their formative years. Then suddenly they make some really remarkable communication leaps. I believe that people and the world as a whole are continually undergoing many processes of healing. Let’s keep the faith!
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