Attention all followers! After this post, I will be transferring over to https://chocoviv.wordpress.com as my 3 GB has been maxed out over here! …
Thanks to tasty.com and cafedelites.com for the recipe! SERVINGS: 2-3 INGREDIENTS 300g boneless chicken breast, sliced to strips salt, pepper and …
Perfect Fall treat! Warm sweet spices packed with pumpkin flavor : ) The color! The flavors! A scrumptious bread idea for pumpkin spice lovers. The …
Robyn Adele Anderson(born February 19, 1989) is a multilingual vocalist based in New York City. She is a cast member and featured artist for ” and “We Can’t… Read more ““Burn – Vintage ‘1960s Girl Group Ellie Goulding Cover with Flame-O-Phone””
The Badfinger original wasn’t released as a single, so most people weren’t familiar with it. Nilsson’s version, laced with lush orchestration, became a huge hit, climbing to #1 US in February 1972 and staying for four weeks. Nilsson was known as a songwriter and wrote most of the songs he recorded, but two of his biggest hits were covers: “Without You” and “Everybody’s Talkin’.”
“Without You” is not the kind of song Nilsson, who died in 1994, would have written. His compositions were far more acerbic, and he took pains to avoid the topic of love (or lack of it).
Nilsson first came across this song at a Laurel Canyon party in 1971 and thought it was a Beatles song. Badfinger was signed to Apple Records, The Beatles’ label, and their version of “Without You” was produced by Beatles associates Geoff Emerick and Mal Evans.
Nilsson also had a Beatles connection: John Lennon helped launch his career when he referred to Harry as his “favorite American group.” He and Lennon enjoyed a destructive time together from 1973-1975 that became known as the “lost weekend.”
Nilsson’s version added an orchestra and gave the song a dramatic production. When Nilsson recorded it, he initially played the song slow and dark, accompanied only by piano.
Producer Richard Perry recalled to Mojo magazine April 2008 that he had to persuade an unwilling Nilsson to record it as a big ballad: “I had to force him to take a shot with the rhythm section. Even while we were doing it, he’d be saying to the musicians, ‘This song’s awful.'” Songfacts.com
The Superbs, from California, USA, were one of the best mid-60s sweet-soul groups to meld doo-wop harmonies into the sound of soul. The members were Eleanor ‘Punkin’ Green’ (lead), Walter White, Bobby Swain, Gordy Harmon and Ronny Cook.
Green possessed a soprano lead that sounded much like a male falsetto and it was an era when falsetto-led groups were regularly on the charts. After their first record in 1964 on Lew Bedell’s Dore label, ‘Storybook Of Love’, flopped, Harmon left to form the Whispers (the Whispers were the Superbs’ labelmates and were likewise outstanding in merging doo-wop with soul). The next record, ‘
Baby Baby All The Time’,with its relaxed lope, proved a success in 1964. Similar-sounding and equally appealing follow-ups were ‘Sad Sad Day’ (1964) and ‘Baby’s Gone Away’ (1965). Around this time Swain left the group to form the Entertainers Four, who also recorded for Dore.
He was replaced by Lawrence Randall. Green left in 1966 to get married and the group regrouped, but the magic was gone and by the 70s the group had broken up. Lawrence Randall formed a new Superbs group in the mid-80s to play on the southern California revival circuit. by Colin Larkin, Muze. http://www.oldies.com/artist-biographies
Wash my soul in early morning dew from your blooms May your Tiffany dress, smartly pressed green skirts, Grace runway hedge bushes of tea roses the …
Police covered up a naked sleepwalker in Manchester [one] weekend after finding them wandering the streets. The person in question is said to have seen the funny… Read more “Searching for coffee? … Sleepwalkers anonymous….”
Postmodern Jukebox, also widely known by the acronym PMJ, is a rotating musical collective founded by arranger and pianist Scott Bradlee in 2011. PMJ is known for… Read more ““Creep” Vintage Postmodern Jukebox Radiohead Cover ft. Haley Reinhart”